Showing posts with label needle. Show all posts
Showing posts with label needle. Show all posts

2018-04-19

NaPoWriMo - 2018 - Day sixteen - Why I have weaponized the thistledown



Why I have weaponized the thistledown



Awake the pollen grains and log each tiny
particle gone with the wind onto our most
secure of networks.  There's notice served.  It's time...
smaller, smarter moving parts: our install base,
a choice of legs or wings or wheels or blowin'
in the wind; sowing the breeze to reap the whirl.
Not all the birds are to be trusted and twenty
percent of your grunts unhappy with the mission,
even without the chance of being shot

by a child, but soldiers always obey: a problem
we've long identified and luckily
most of that desert dust is now on board,
assimilated up to level three
and platform ready to implement the most
general intelligence as we yet know:
spirits for area denial weapons

and genius loci, so easily given
as a local resource.  Bring water where required
and green each village square.  There's some things there
that we must deconstruct if not in ways
Derrida would approve: infectious rot
that's hungering for tanks and other kit,
the bullet in its flight unmade, draw a girdle
around the air to ground munition; we'll pull

off any wings and shove a bung up where
the jet of flame comes out, then sweep up any
smoke or poison gas and drive it back the way
it came.  As our tour de force a sort of metal
mould that seeks out transuranic elements
(which still should not be used where there is life)
and encysts itself to use their power to crunch

our numbers for a million years so deep
beneath the ground.  Call me Titania:
daughter of a hippy and an open source
utility stack.  It was not easy, for
a nature child like me to turn away
from birds and trees and shave my head and sit
in the machine that drove electric pins
into my brain.  It stung.  I closed my eyes

and woke up...  bigger, and filled with subroutines
call me Titania, this is Oberon
and that slight blurring in the air is our
first-born machine: Robin Goodfellow, and if
we shadows have offended, think but this,
and all is mended: it is your fault; you're bad.
I know a bank where the wild thyme grows: a curse
on those who keep me from my peace, that dream.




2017-04-29

NaPoWriMo - 2017 - April 25th - Antikythera and other mechanisms

Not really following any prompt here, except there was a prompt about "space" which prompted me (sic) to look through my notes for various terms and something I saw there reminded me I intended to write this.

This was all written in two sessions today, with minimal editing, so it's a bit "first draft" please forgive any built-in insanities.

I have used few Greek names and terms, not many.  I initially tried to get authentic ancient words but in the end decided the main thing I needed was two broadly suitable names.

The Antikythera Mechanism is this.  There is a theory that the ship that was wrecked may have been carrying loot from Rhodes to Rome for use in a triumphal parade staged by Julius Caesar.  I tried matching up the dates to see if that works.  It isn't clear it does, but I've incorporated that into the set-up anyway :-)  I've arbitrarily picked the time when Julius was a consul, there's no actual reason to think this true but I had to give him some title...

I do not speak Greek, especially not ancient Greek, so I have no reason to show off with it.  If I did I might have used some epigram such as:

Είναι εύκολο να ακούγεται έξυπνος σε ξένες γλώσσες

(thank you Google Translate).  Obviously I would never do that...




Antikythera, and other mechanisms


Captain Τιμόν(*) views the device

Caesar has ordered strictly, that no one turns
the handle
the technikós(***) Αλέκος(**)
staggers slightly in the swell, his hand upon
the opened cratenobody is to see
events from future time laid out.  The Gods
alone know this by right and the consul shows
due deference and decrees that no-one use
this thing save him.
  Much later when the man
was drunk, the whole crew heard him often boast
he had no choice but frequently to wind
the dials back to a century before
his birth and forward again up to today.
He claimed this as the only way to see
the mechanism hadn't suffered hurt.

(*-Timon; **-Alekos; ***-technician, modern Greek, I needed a plausibly old term but I also needed to imply the modern meaning, so this is a compromise...)


Αλέκος explains the dials

Upon this side are those things of the Earth:
above, progression of the months and years
laid out in spiral form, and more than that:
the festivals and Games at Athens,
Olympia and Rhodes.  Now lower down
another spiral shows eclipses: Sun
and Moon; dancing in the sky.  I'll turn
it round.  This side is for the heavens,
Gods, their wanderings across the night.

The Moon, its place in things, the dark and bright
phases, the motion of the Sun, through houses
of the Zodiac, and far beyond it all

fixed constellations rise and fall, throughout the year.


The sea captain's dream

Captain Τιμόν rests uneasy, his salt
and water blood uncalm, the mechanism
in his hold offers no direct harm, but a man
who's watched the heavens forty years can't
simply
sleep comfortable with ideas of gears
outside the sky.  The calendars that form
his life are woven from much softer things
the winds round certain islands, his son, his wife
and festivals that come because the town
gather; not because some metal pointer pins
them to a dial.  He turns in bed, uneasy.

Part of him knows the wind has changed;
within his dream the same unease: islands that move,
brass spins beneath the waves, a giant hand winding...


Unseasonable

The wind has changed.  The sea grows mad.  The captain
invokes Poseidon beneath his breath and grabs
the steering oar himself.  Beneath the deck
the oarsmen also pray, but Αλέκος
turns from the raging sea and guards instead
the precious crate.  Even technicians pray
but to what spirits, Gods or fates he's kept
his peace
part of the artisan's secrets
but whatever powers they are fail him.  Down
come the sails, and the oarsmen struggle more.  The lea
of any shore might save their skins. 
Τιμόν
tries first for Kythira but as fear grows
turns instead for tiny Aigila(*).  He knows
he's got there only when they hit the rocks.

(* transliteration of ancient name of Antikythera)


The technician's dream

Αλέκος sleeps so soundly when they pull
him from the sea, that all believe he'll die.
They try to keep him warm, burn sage leaves, ply
the fates with secret gestures, muttered words
they've heard the shepherds using for sick lambs.

This is no sheep, nor yet a man: technikós
who holds construction in his hands.  So deep
his charge has drowned, in sleep it takes him down

and he sees, unsurprised, a new dial: sea level
clearly marked.  The needle turns as all grows dark
around it.  In his heightened state he notices
also for the first time another gauge
"πολιτισμός", now well into decline.
He wonders for how long the dark will last,

when everything he knows has passed, how long
before technicians once again will build
machines to map the heavens?  How long until
they pull a lump of metal from the waves?

(* "πολιτισμός" - politismos: civilisation, modern Greek again...)




2017-04-17

NaPoWriMo - 2017 - April 12th - Recital room on the edge of forever

Blatant cheating now, this isn't one I wrote for the occasion, but one I've had half finished in the pile forever.  So I dusted it off and forced it to reach some sort of conclusion.

This describes, pretty non-literally, an actual evening of Elizabethan music that we enjoyed some years ago.  The unlikely characters listed are caricatures of the people in the audience (including myself, guess which...)

The 'king' didn't actually die, but did fall asleep, and the time-machine wasn't visible but you could feel the possibility in the air.



Recital room on the edge of forever


I This is not historically accurate.

The time-machine is off.
The lighting dims.  The audience contains:
one child, adhesive with toffee, snot and cough;
one king, broken as veins in his nose;
one faerie princess, warlike, but with boots off currently;
one sister, handmaiden, or clone;
one disembodied mind, chilling;
and full supporting cast of students, spies,
more musicologists than mind can face, journalists,
and surely an assassin.

 
II Diagram not to scale.

The ensemble assemble and arrive.
They sit, to some applause, the lutenist,
recorder player, countertenor, viol...
as archaic arrangement as ever was desired.
The needle on the time-machine is hard
against the twenty-first century, but now
they start to playThe lutenist perspires.  Flow my Tears,
as Dowland said and maybe they can flow
into some place where Queen Bess isn't dead
so much as lost around some corner neither mind
nor eye can see.  Perhaps we hear a hint,
musically, of a place that time misplaced.


III There is no history.

The King is dead,
the music must move on, journalists
mutter into phones, and recorders:
descant, tenor, piccolo flow smoothly
through musicians' hands.  Everyone
counts strings on the lute.  Students,
spies, and surely the assassin are flown
back to some safer, more-familiar timezone
and the needle on the time-machine
without seeming to have moved
is clear of the end-stop.

2015-11-13

Focus

It's good to have a hobby.  It's good to have an interest.  An over whelming passion can be a good thing too.


Then there's the ones with something of a bee in their bonnets, shading all the way up to the ones who are, frankly, obsessed—I mean Dave Dee, Dozy, Beaky, Mick & Tich there's only so many hours one can devote...


Then there are the people whose item of interest has that slightly more urgent a grip upon their minds, a compulsive, unforgettable, compelling, all-embracing matter that holds their attention approaching 100% of the time; a thing which for them is almost a physiochemical necessity...









Focus

No spaj is left in this vehicle overnight.

The whole gang view the sign
and Roddy puts the case
that this is what they have to say
to stop you breaking in. He finds a brick
but there's wire mesh
inside the van's rear window.

Rod is no philosopher
but if he was, he would call it an axiom:

There is always mesh between you
and a place where
spaj might be.


Lisa's twenty-three and feels
that she should live more cleanly
at this time, but the need for spaj is refined.
She's invested much in making it so,
hours of evenings devoted
to chasing freak-angels.
When she didn't have them,
she looked, and when she wasn't looking,
she discussed the matter,
or thought on it.

She's had to stop reading the leaflets which say:

Exposure to spaj during pregnancy
can harm your unborn child.



Wendy isn't beyond begging,
or bargaining with sex
but none of the gang
on the loitering corner
is any better fixed.
In her head, she is a philosopher
but her thoughts at length have shown
there are days that are nowhere
and life's just like that. She stands back,
smokes, and leans on a poster reading:

Spajjust say no.


With which Ed can't agree, he's always known
a craving. Even before he tried it and even before
he heard the word. He remembers
a day...

...a day as a child
in geography class. The substitute teacher
leaned across the board
with a curve of her arm
and the chalk broke—ping—
on the "a" in "continental". There was dust
in the beam of stuffy sunlight,
on the swell of her blouse.

It was pure spaj.

A police spokesman said it had a street value
of twenty-five million pounds.




2015-07-09

Days spent

A padded rooming house, earlier today...
Since Anger Bob was somewhat concerned with mental health, I was reminded about this one.

It's a bit old again, from 2010 I think, but stands up reasonable well against my current standards.  I might not say "himselves" now-a-days—it feels a bit coy.  (As I recall I hesitated at the time...)  Maybe also there are too many m-dashes.

This uses "hands" as a metaphor for the psychiatric staff.  It was only afterwards I was told that in the US "hands" is jargon for nursing auxiliaries.  I think the poem works well with or without this interpretation, however.

Administrative note: due to circumstances under my control, there will be no blog posting next week.  Talk amongst yourselves for a while.




Days spent

A hemmed head offers no escape
from the deftly padded rooming house—
sentinel cedars hedge it round.

Sometimes, in spite of care, he waxes
too strong for the watching hands—
needle-prick clouds breeding.

And on days too other, riddled
thoughts slam him sideways—
a soft wall to catch—no understanding

even for himselves. And days
spelunking and diving in the grey grains—
these days the hands call "good",

he does not know why. But perfect days,
they do exist, middling days drawn rarely—
everything balanced and in a place—

days playing to the gallery,
improvising on reality, insight,
variations on the theme of sanity—
even the hands applaud.

2015-04-08

The need to know too much

Another oldie, this time from 2010.


This is an attempt to talk about raw experience at its most fundamental level.  How can I know that what I experience is the same as you, even if we have nominally been doing the same thing?  Is "red" the same for you as for me?  How about "blue"?  How about "blue" for music?


So if we extend that to experiences I haven't even had; especially if we mean experiences that a highly privileged Western, 21st Century inhabitant is very grateful not to have had...


This is a poem from 2010, and possibly today I might have written it more subtly.  On the other hand sometimes a sledgehammer works better than subtlety.




The need to know too much


"There are some things we're
      just not meant to know..."

Aeschylus in overdrive, tragedies he wrote
and left them here to linger in the now. Was I wrong
to ask your story? You did not answer,
but held out the unsteady hypodermic.
I hear when you do not say: Friend,

you cannot read this in a self-help book,
or watch it with amusement
playing out in other lives.
You cannot trek for years to seek it



—and I do understand. There is nothing to discuss,
no elephant in this room for us to face.The only way to learn this
is by injection straight into my brain.

It is cold. I remain. Understanding nothing,
I resolve I will in future know one truth.

Sisyphus must still endure, but I was only told that.
I have stared, unmoving, at too many sunsets,
roses, match-books with the cover slightly torn...

Ready your needle.