The challenge was to write a poem using: translucent, black, ride, stuff, house, strike, purpose, yellow, peace, road
The rough guide to peri-apocalyptic travel
I am become translucent on my horse
and yet must ride, the desert not too far
behind, the desert not so far ahead;
its stuff and substance blow around your house,
as I pause to drink and strike some sort of pose.
What is my purpose? You do not want to know—
the desert will be on you soon, all sere
and grey, and it's late within the day, and I
imagine yellow bricks upon the road:
it helps me go, my name was never Dorothy
and I am grown translucent on the horse,
which is still black. His name is Acceptance. Peace.
2017-04-10
NoPoWirMo - 2017 - April 10th - A cricket ball at seventy...
From a prompt to write a portrait of somebody important to you...
A cricket ball at seventy...
...diving for it like a teen,
but even that was long ago
and the most abrupt of angels long since called
one Monday in the home which is not—
there are no homes, in the post-modern
Post-Kathleen Era, where a pad might be incontinence
or else for YouTube on the move
and at least one grandchild is married
to a MOTSS. There is still sun
such as warmed Lino in the kitchen in the back yard
of the terraced house where the loo came indoors
in the sixties and the dog slunk off a final time
in nineteen eighty-two.
We who are yet to die...
we miss you, the cloth cap and the grin
the lunatic spin, and diving for the cricket ball
when you were seventy. We miss that you never complained
not once
and were proud to pay the income tax—
which meant you'd earned some money.
Mother says that you made shoes
as a necessity
and reared a pig as a luxury
and a Christmas meal.
They say in time
every wound will heal
but this one
brought its golf clubs.
A cricket ball at seventy...
...diving for it like a teen,
but even that was long ago
and the most abrupt of angels long since called
one Monday in the home which is not—
there are no homes, in the post-modern
Post-Kathleen Era, where a pad might be incontinence
or else for YouTube on the move
and at least one grandchild is married
to a MOTSS. There is still sun
such as warmed Lino in the kitchen in the back yard
of the terraced house where the loo came indoors
in the sixties and the dog slunk off a final time
in nineteen eighty-two.
We who are yet to die...
we miss you, the cloth cap and the grin
the lunatic spin, and diving for the cricket ball
when you were seventy. We miss that you never complained
not once
and were proud to pay the income tax—
which meant you'd earned some money.
Mother says that you made shoes
as a necessity
and reared a pig as a luxury
and a Christmas meal.
They say in time
every wound will heal
but this one
brought its golf clubs.
2017-04-08
The Attics of the Dead
I've got stalled on this year's NaPoWriMo, I think because I'm still really tired following Rosemary's book launch on Thursday. So I've dug up this old one from last year's poetry writing month.
This is an attempt to capture the mood and strangeness of a real recurring dream I used to have. Where I'd be wandering the attics of some building which in real life didn't have any, and there would be and shelves and shelves of interesting boxes. Not that in the dream I every got to open any of the boxes...
There's a reference to my Granddad in this, and that is how come this poem is "of the dead". His and Nana's house was a common location for the dream, although not the only place it could be set.
All my grandparents are dead now. You can never go back, can you...
The attics of the dead
I no longer dream the attics of the dead
but I recall the qualities of dust
and light and wooden shelving where I pass
my unshod sleep feet silent on the boards.
There are always more: more boards, more boxes,
suitcases, cabinets and old wardrobes...
more attics. Up some turning stair, or through
a low door: a further shelfscape; hatches
in the ceiling through which unpainted ladders
climb higher still to attics which by rights
should be much smaller than the floor below.
They're not, of course, there's always more and I
will wander rarely distracted by a beam
of skylight cutting through or a corridor
window through which I peer to see forever
roofs and tiles and access ways and never
a hint of any world below. Through windows
sometimes I will glimpse another distant pane
of glass though which, enticing, I'll see the backs
of other shelves all filled with such exciting
packages, but which I know I'll never reach.
There isn't any lesson for this place to teach,
I am not lost, or trapped; I'm just aware
that granddad knows of every item there,
but still, somehow, my exploration
does not posses an end.
This is an attempt to capture the mood and strangeness of a real recurring dream I used to have. Where I'd be wandering the attics of some building which in real life didn't have any, and there would be and shelves and shelves of interesting boxes. Not that in the dream I every got to open any of the boxes...
There's a reference to my Granddad in this, and that is how come this poem is "of the dead". His and Nana's house was a common location for the dream, although not the only place it could be set.
All my grandparents are dead now. You can never go back, can you...
The attics of the dead
I no longer dream the attics of the dead
but I recall the qualities of dust
and light and wooden shelving where I pass
my unshod sleep feet silent on the boards.
There are always more: more boards, more boxes,
suitcases, cabinets and old wardrobes...
more attics. Up some turning stair, or through
a low door: a further shelfscape; hatches
in the ceiling through which unpainted ladders
climb higher still to attics which by rights
should be much smaller than the floor below.
They're not, of course, there's always more and I
will wander rarely distracted by a beam
of skylight cutting through or a corridor
window through which I peer to see forever
roofs and tiles and access ways and never
a hint of any world below. Through windows
sometimes I will glimpse another distant pane
of glass though which, enticing, I'll see the backs
of other shelves all filled with such exciting
packages, but which I know I'll never reach.
There isn't any lesson for this place to teach,
I am not lost, or trapped; I'm just aware
that granddad knows of every item there,
but still, somehow, my exploration
does not posses an end.
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