Showing posts with label star. Show all posts
Showing posts with label star. Show all posts

2017-04-04

NaPoWriMo - 2017 - April 4th - A blue star rises, and who of us can say

From this prompt about the Enigma Variations -- although as ever not directly from that...  I came the long way around.


A blue star rises, and who of us can say

out by the horizon, electric blue ink
a sky uniquely annotated dawning
its own way and who of us can say
what a day like this may mean

one pale, bluish star, low in the brightening sky
I watch you stir your tea I watch
you watch my eyes we're drawing nearer
covertly, through a fall of hair

a blue star might rise unprecedented
just there in its own way on a day
with the horizon not so far away
you tie your hair back firmly with a string

out by the horizon
I greet you properly, a public display
what passes as normal, we're unaliened
and our funny ways strange no more

a blue star rises and all unmanned,
unwomanned, freshly peopled...
we walk out hands held
into the new world, bravely

2016-07-30

Transactional

These are the terms of the contract, they get:
  • the money
  • the adoration, power, glory, stalker
  • the celebrity lifestyle, drugs, divorce
  • more money
  • the early, tragic death
and we get:
  • the new series, roughly once a year
  • the box set
  • the posters, action figures, spin-off novels
  • t-shirts
  • to pay for all of the above
...and pretty much the same thing applies to pop and film stars.  Who's to say who's getting the better deal?








Transactional

What then, of folk like me, a touch
aloof in uncool sweaters.  If you knew me better
or us, as I should say, I'm not aloneperhaps you'd like
the way we stir our coffee, too intent;
or fail to clearly speak and consequent
from that...  we give ourselves away.

What then, of how we misplace all our lives
to long-run TV drama shows?  What time
are you on?  Why are you out-of-sequence
this episode's from Season One, when Joe
was not yet dead, and Lisa not yet gay.
You seemed happier then, so you also

have given yourself away?  Oh let me take
you hand in mitten, and let me buy you coffee,
from the van beneath the CCTV.  I watch
your eyes behind the steam?  Sometimes I dream
of one like you, tight-sweater ghost from a past
your writers don't provide.  And you dream too,

perhaps, of lives like mine, or ours
as really I should say.  Ambiguous, we are;
not telegraphed with what to feel; not healing,
albeit imperfectly, between one story
and the next; not sent the text by courier
before each scene begins; we arebeyond all else

not the one half-dressed upon the poster
whom wenot so aloof nowreturn to
through moments in our desperate night. We treat
it as our right, and maybe that is fair
you are repaid so many ways, and I'm always
your loyal customer, when you give yourself away.

2016-07-08

Dark skies

A poem inspired by a prompt from a Facebook poetry group.

This is a pantoum.  I like pantoums, but they are a very particular thing and I can understand if not everybody gets them.  They repeat a lot, rather like the villanelle, which is another form I'm fond of... I mean of which I'm fond.

In the case of a pantoum the repetition generates an intense feelings of stasis, claustrophobia, and/or nostalgia.  So they are ideally suited for emotive, introspective or contemplative subjects.

The Western pantoum is a hijacking of a Malay verse form, but I do not speak Malayan, so  I really cannot comment on whether we do them justice...







Dark skies


The gaps between the stars will draw her eyes.
She's lying on the back lawn in the dark.
The voids are better than more clouded skies.
She isn't waiting for the dog to bark.

She's lying on the back lawn in the dark
without the thought that anyone will come.
She isn't waiting for the dog to bark.
Such expectations leave her feeling dumb.

Without the thought that anyone will come,
she's none-the-less put on her special top.
Expecting too much leaves her feeling dumb
but clothing is an easy thing to swap.

She's none-the-less put on her special top.
Beneath her shoulders dew begins to soak.
Her clothing is an easy thing so swap
there's always extra cleaning with a bloke.

Beneath her shoulders dew begins to soak,
this sort of thing is starting to get old.
There's always extra effort for a bloke
increasingly it leaves her feeling cold.

This sort of thing is starting to get old.
The dark is better than a clouded sky.
Increasingly they leave her feeling cold.
The voids between the stars pull at her eye.



2016-06-17

From Lark Rise by Standard Candles

Another one written from a prompt on a course.

To my mind this is pure science fiction: uncontaminated by plot or character or spaceships or robots or sexy other-worldly women who want to know about the "Earth thing called love..."

There's the local and the distant, the distant is by definition alien...  But equally if you merely struggle up onto the shoreline and dip your toes in the water, you are already touching the near edge of infinity.

There's a real sense in the opening of From Lark Rise to Candleford that to many of the locals, Oxford is as far away as the moon...

I wonder what it's like to stand on the moon?  White dust...  Stars...







From Lark Rise by Standard Candles


With a calibrated period-luminosity relation astronomers
could use Cepheid variables as standard candles to determine
the distances to distant clusters and even other galaxies. 

-- www.astronomynotes.com, Nick Strobel -- 
Period-Luminosity Relation for Variable Stars


All along the greensward wanders,
outlining our mile-around;
a frame upon the white road reaching
even so far as OXFORD XIX
where things are so unlike. Why,

it is a different world there.
It is different here for such as we
struggling from our hamlet's mire-dark ways
to stand upon the alien, the local absolute.
Who lurks near? What star here

shines so starkly on the white dust?
Is this road forever?



2016-06-03

Death and the maybe


In the words Terry Pratchett gave to Sergeant Colon and Nobby Nobbs, as they balanced on the roof of the distillery with the dragon bearing down upon them:


What's up, Sarge? Do you want to live for ever?
 
Dunno. Ask me again in five hundred years.
 
 
And there is a fundamental point at work here, we live longer and longer, but we aren't 'designed' to live forever.

That said, Death is dying.  Very slowly and with, I am sure, a couple more twisty scythe-based manoeuvres up his sleeve, but we are slowly grinding away at all the things that can make a person not last forever.  There will come a last mortal generation and possibly we are it...

...although, actually, I doubt that, it takes surprisingly long to pull a fully fledged and medically-approved nano-technological body repair system out of your hat, or mind upload technology, or even body-part-on-demand cloning.  But even although it's going to take longer than we like, there is going to come a time when people become essentially undying and we have to face the ultimate socially awkward questions:

How long do you want to live?

How long to you want to live with me?

How long do we both want to live, if the kids have emigrated to
Alpha Centauri, and idea of eternity with nothing on the TV is driving us nuts? 

But never mind, we may get hit by a comet...








Naked celebrity photographs



There is no real connection
between the beautiful and the vertical;
it is only a rule of thumb
but it has held so far,

she thinks,

photographing another letter-Y incision
against the steel table.
It always seems wrong
for the roughly stitched flesh not to swell redly,

but it's not.

This one had a crucifix
it's in an envelope upstairs
and a PR agency
who do not now know what to do.

She examines the photo
crosses it off her todo list.



To wish upon


If a comet comes
perhaps by night
wandering through our atmosphere
at a thousand times the speed
of bullets from a gun

the air compressed and burning
a transient and bale-filled sun
that flash-fries everything along its drift
before stepping firmly down to lift
some small Midwestern town

from the planet's surface
like a stamp loosened
in warm water and floated free if badly torn
with a thousand cubic kilometres
of the rocky envelope beneath.

If you are not burned
as you stand wondering or smashed
by falling secondary ejecta
if you are lucky and if, in short,
you are far enough away

then you can flee
the monument
of swelling black
that's eerily silent
coming at you faster than sound.

There is no way to turn
but you could flee choosing
as the commentator put it
a slow death over a fast one but, foolish, I
choose the slow death every time.



Magic


An empty box, a glass of milk,
two table tennis balls, a silken scarf,
no doves in my waistcoat, and no rabbits
or other small mammals
concealed anywhere about my person

but enough of this penny ante stuff.  Let's do magic!
Observe this wand, which came to me from an old,
old magician.  Now,

does any member of the audience have
a recently deceased body, ideally someone dear to you?
A mother?  A son?
A close friend will do...
You Sir?  Your daughter?

Let's give him a big hand!
If you'll just wheel the trolley onto the stage...
Thank you!
I cover her with this cloth
and if I could have total silence
as I wave the wand and rip apart the borders
of the undiscovered country.

I like to call this trick
"And death shall have no dominion."




2016-04-29

The price of life

Some microfauna,
earlier today
We're in the throes of NaPoWriMo and it is eating up a lot of my spare time to try and turn out a poem every single day.

It would probably be easier if I wrote more haiku...

This is a poem from this same festival (is that the term) in a previous year.  2010 if my records are accurate.

This is maybe less shiny than some of my poems, but I think works well done as a performance with some energy.  So that is what I've tried to do in the recording.

This is a subject that I care about quite strongly.  Not wholly from the ecological perspective, although I think that very important, but also from the rawer, darker, more-fundamental scientific angle—there is, within the universe of things that we can reach, exactly one "life".  All life on Earth is the spawn of one original life creation event.  It is all, shitake mushrooms to vampire squid (look them up), the same stuff.  We have exactly one example.

Until we land somewhere where there's more...

But even then there will only be two.  The value of this stuff cannot be overstated.  Taken to its ultimate eschatological extreme it might be the difference between a universe that means something and one that goes 'fut' and passes without comment.  So look after it.












The price of life


Lot twenty-three, one bucket of mud...

Ladies and Gentlethings,
this is the finest mud that money can buy.

Why? Just look at this chemistry,
poly-heterocyclic rings, carbon chains,

substances, whose full chemical names,
would keep you writing until the stars went out.

And for the avoidance of doubt,
this is because there's Life,

right in this bucket, genuine, natural Life,
in all its unlimited, self-designing power.

There are seventy-nine different types
of bacterium here, ready to feed

on spare carbon compounds
which you might not need

and spew more biomass—
this mud can breed.

Also in here, microscopic worms
eating, excreting, aerating by turns

and food for the slightly larger
microfauna... see, I have micrographs here

tardigrades, lice, hydra,
amoebae toofurther ingredients for the stew.

No, nothing as large as a mouse,
but there are... Seeds, nineteen different kinds:

from ruderal weeds with short life-times
(which, yes, fix more biomass)

to shrubs, of various size,
and treesthey need only light,
and carbon-dioxide.

In this bucket, everything you need,
to take a sterile world and clothe it
in a forest so deep, and green,
darkly shaded, pristine,
and if you haven't already got the idea
it's beautiful.

So, what I am bid for this bucket of mud?

I might add that it's rumoured
to come from the fabled blue-planet itself.

Shall we start the bidding
at ten, sterile star-systems?

2016-04-26

To the Sky...

You haven't heard much from me about my on-going collaboration with German Rock Musician Hallam London.  Partly this has been because we had a bit of a slow period (as documented here) and partly it has been because I've been busy changing my job, delivering the kid to/from University, saving the World from killer rhubarb (don't ask) etc etc.

Also another reason is I've been busy with the songs themselves.  Hallam and I just had an amazing six week burst of creativity during which we finished five songs.  (For a given value of finished, music production goes through many, many stages such as arrangement, performance, production, mixing etc etc...)

However, it is not of these songs that I wish to speak.

In January this year, David Bowie died.  Hallam and I were just starting a new song when we heard the news.  We had some cause for introspection.  We'd never discussed Bowie, but as you can imagine he was a formative influence for us both.  We thought about doing some sort of song as a tribute, and then we had to wrestle with the question of how hubristic that was.  After some soul searching, we realised that all of our music comes from a very Bowie place anyway: it's all about gender and sanity and slices of everyday or unusual lives; we're also frequently a bit SciFi; often trying to push some envelope or other; and as every song is very different, I think we're reinventing ourselves even faster than he did!

So anyway, we got on with the song.  Unusually we reversed of our usual way of working.  Hallam recorded the musical idea first, and I analysed the metrical structure of his "na naaa nah" place-holder lyrics.  Then I wrote a prototype chorus.

So far so good, but we had to decide what the song was about, and we kept cycling back to Bowie-like (Bowiesque?  Bowiesian?) ideas.  In the end we were drawn strongly to the ideas in Major Tom and Space Oddity—and who doesn't want a space launch in the middle their song?and a love story, obviously...

And now it's finished.  It's partly a Bowie tribute, but obviously also has to stand as a song on its own.  Hallam has gone beyond the mere "teaser" quality of our previous releases with this one.  He's hired a great drummer, and an engineer to do the mixing and production.  He's currently finalising the artwork.

It's called To the Sky, and next week Hallam will release it as a single!

Yes, you do have to wait until then...  but in the meantime here's the play-list with our previous two teasers Anger Bob and Identity...







And BONUS! a recording of The rain in certain car parks (yes I did call a song that).  This live recording isn't polished as Hallam's studio recordings, but it does have a live band and audience...

 

2016-01-22

Numbers station

A Numbers Station is a Cold War artefact.  A weird short-wave radio station that transmits nothing but some distinctive sounds (often low quality music) punctuated by uninterpretable sequences of spoken numbers.

Clearly the whole point is that it won't mean anything, except to the very few lucky people who've been given the key.  It's a cheap and very private way of sending simple messages to Your Man in Halifax.  Nowadays one just emails; via encrypted channels, of course.

None of which stops the numbers stations from having a cult following, a bizarre style of their very own, and hoard of conspiracy theorists who stalk them.


Pulsars are relatively mundane in comparison.  They're neutron stars: single atomic nuclei the size of small industrial cities; the remnants of dead stars that weren't quite large enough to form black holes; spinning spheres with surfaces moving at sizeable fractions of the speed of light; powerful radio beacons "chirping" so precisely they were originally labelled "LGM" for "Little Green Men"—which they aren't, of course.

So nothing to write home about, really.








Numbers station


A song of distant, static-abraded numbers
the mechanism unwindsmonotonic and discrete.
It had an edge once, but not now
so neat as the mind recalls it.  There's a gap...

...around the days she faked, in faking lived
and now has left behind.  Don't think about the boy
and forget the laughter pastedcrudelybetween the mind
and the point, too far to guess, where a neutron star spun...

...down, the definitive direction: empires, cricket balls,
angels tumble from the blue, and in doing so
draw nearer.  The man reached for her once; unknowing,
implored some sweaty comfort for the fall...

...to pass the time, she builds a short-wave radio
from wreckage in the tracking station.
She turns the dial to sample languages; shrapnel
of news and song; the soul of the pulsar chirps...

...for a moment, and a tiny, tinny voice chants:
two, seven, five
two, seven, five
zero, zero, zero.
She grabs the code pad...

...which isn't there.
Something has ended,
she doesn't know what
those days are over.




2015-12-18

Down time

Black Holes - Monsters in Space
A black hole: far, far away...


It's Christmas time and there's no need...

So here it is, merry...

So, this is Christmas, and what do I think...?

Well I don't think I need formal religion to make me gather my loved ones together and hand out presents.  Midwinter is upon us and ice-giants roam the borders, muttering behind rime-encrusted beards about climate change and the rising price of air-con.

Why wouldn't you get everybody around the fire to sing and laugh and eat and drink?



To explain the same thing in a different way: a singularity lurks at the end of December, a zero-sized, zero-temperature point of infinite density, with Janus packed into it—like one of those joke canisters of spring-loaded snake.  Except it's an ancient god of narrow doors, instead of the snake; and we have to pass through to reach the verdant, sun-lit pastures of 2016.

So hold your drink in both hands, strap your mince pie into the padded receptacle, specially built into your acceleration couch, and hold your breath as I gun the engine and point the pointy end of life straight at that tiny point of rapidly approaching darkness, because here we go again...



Best Wishes Everybody!  I'll see you all, safe on the other side.








An ancient Aztec calendar:
long, long ago...
Down time

And I travelled in a bald and freak October
—the rubbing of the wind and the chafing of the skin—
where clothes supposed to keep the warmth
got soaked around my wrists and ankles.

And I have travelled via plaintive, sleek November.
I fell cold upon the empty hill, with eyes
drawn to the gaps between the stars—
even such hollow space can't chill me now.

And I did travel, solitary, through December;
deliberately I spiralled round and down—
there's a nothing-point at the centre of the maze,
an absolutist's zero, the boundary of days

—and in the ice-crystal, breath-held silence,
I waited for the calendar to turn.





2015-09-18

To steer by

Artist's rendering ULAS J1120+0641
(OK, so the northern star isn't a quasar, call it artistic license...)

What's to say here?

Maybe nothing.  Let the poem speak for itself.











To steer by


If I should go to seek the northern star
I'll shoe my stick in adamant
and take whichever road winds farthest
through wider and more disjunct lands --
a drunkard's life journey, endless in retelling
while the eyes fuzz at 3 a.m.

—although I'll leave before the end of this
or any other tale. Many miles expect
unhurried feet and gaze which notes
the climate cooling as I walk, sees
how a plant displaces softer weeds,
and feels it satisfies some need:
translating feet to miles.

But is there any effort of the patient stride
to bring one to the place of total ease,
to stand upon the landscape where it's clean,
unstirred beneath the empty air,
and the sky a passacaglia
for unaccompanied star?

If I should come beside you as I walk—
in dust, or mud, or chill with sprinkled rain—
maybe I will ask about the road ahead
and while you'll think me friendly in my way,
you will not drag my eyes from the horizon.