NaPoWriMo - 2018 - Day three - Lost in transliteration

Lost in transliteration

I could take your words and express
their anger, sarcasm and loneliness
in the secret language of penguins who have
six thousand, three hundred and twenty-two
words for fish, but have never needed
any words for cold feet
or the smell of fish.

And if that happened, you could reply
using pigeon's words for sky
inserted in the lingo of octopod
entanglement where anything with a knot
in it is rude, but there is only one word
for any hard object
that a beak can't break.

And then we would be courting;
assigning and assorting our endearments
(as thoroughly disguised as they may be)
in ever stranger languages and customs:
the words in which a tree
describes diagonals of light and shade,
in terms of friends who make them;

or the speech in which
woodworm explain the enclosed tracks,
their intersections, loops, forwards, backs
indistinguishably from their taste;
or the complaints of mayflies
about eternity
on any summer's afternoon.

But all this would be hypothetical
you speak only your own language
and in any case
you are not listening.

NaPoWriMo - 2018 - Day two - A voice in the crowd

A voice in the crowd



I - I

That's a number and a pronoun,
in case you are confused and if it puzzles you
imagine how it has to be for me:
the me that sits here writing.

I know who I am: I'm me;
and you know who I am:  I'm the person you're reading;
and neither of us knows a thing.


II - Narrator

I know who I am, and am the speaker
and everything I say is speech and you might ask:
Why aren't you quoted?  Why aren't you italic?
But that would never do

I'm not a speaker in the scene
but am ever removed, distanced
seeing everything, uninvolved.


III - Inner voice

I do get italics, when I say:
I get italics,
because I am when the narrator speaks,
the author speaks, or when

the author reaching into your head,
gentle reader, puts words right there
instead of on the page.


IV - Author

I am the voice behind the voices
everything you hear is me
and everything you read
is how you hear it's me.

I still am not reality, you understand,
I'm your interpretation
of my projection, of what I want you to think...


V - Author (on podium)

...and here I am again, saying:
when I wrote this poem I wanted to show...
and there you are in the audience, lapping it up
because you've paid

(at least in time if not hard cash)
to hear me say this and you wish,
you really wish, I'd just get on with the poem.


VI - Character

Ignore me,
I'm just someone
that one of him
made up.


VII - Poet

So I'm the sum
of all of the the above
or if you like I dissect into
the crowd of them

and yet, here I am again,
typing, with no mind on any of this,
just typing words.

NaPoWriMo - 2018 - Day one - Evil medieval rabbits

Evil medieval rabbits


What cunicular Hell? You may well ask,
lurks in the margins of otherwise coherent
medieval documents and it's not apparent,
to twenty-first century eyes, quite why

the bunny-eared crew should freak out so
completely. When leporines attack!
Do peasants stumble back: their former
food and fur supply rotating on the spot

and reaching out for weapons. The world turned upside down
is pretty much the message here these 'drolleries’
or ‘grotesques' as codicology explains
are symbols for our base biology.

Characters of cowardice and innocence; helpless,
and sexual. However, let's be clear
there can be nothing evil here
because rabbits don't do evil

(even when they eat their young). There is no evil
to preying on the leaves of grass
and even though medieval sex talk
has the wolves jumping on rabbits:

there was no fall there either. Animals
get on with it and don't reflect
on whether they are good or bad
or saved or damned. Those thoughts belong

in only the human version
of the story and even when the fox dines
there is no misbehaviour there.
That way of seeing's purely our perversion.



Reference material and some words taken from: Why Are There Violent Rabbits In The Margins Of Medieval Manuscripts?

NaPoWriMo - 2018 - Day minus one - To begin at the beginning

To begin at the beginning


There must have been a creator, or possibly not
we do not know.  The creation of universes
is not a thing we've seen.  No-one rehearses
that moment of becoming.  No-one has got
any cosmic remote control to wind
back to the start of time and watch again
and again.  We have no frame in which to frame
such ultimate questions.  The start of time

is far outside our scope...  and yet there's blokes
(of any gender) even as we speak
who peer into their telescopes or screens
and with imagination, maths and hope
they make that leap.  They read the antique light,
and say they see just how it must have been.

NaPoWriMo 2018 Remix

It's nearly that time again: NaPoWriMo — National Poetry Writing Month.

This year again I think I'll do it naked — by which I mean I'll post the poems here, unedited, as I turn them out.

As previously:  Expect a poem for each day, not always on the day in question, I do have a life and it would be unrealistic not to allow a little give and take, but expect 30 brand new poems in roughly the next 30 days.

I seem to have joined rather more groups devoted to this that usual.  Hopefully this will mean a wide variety of prompts; I hope it doesn't mean I lose track of half the places where I have promised to post things...

In the meantime that is last year's pencil, I must get a nice sharp new one...

NePoWriMo - 2017 - April 30th - You there!

This was inspired by the wonderfully abrupt way that a dodgy Facebook geezer approached a female acquaintance some years back...

I think he probably had romantic intentions.  So yes, "You there!" was the perfect opening line.



You there!

You! And thus I name you...
You are a "you" distinct from any "me"
you may encounter.  They say you stand apart
in a realm of your own devising
where he tells me that I would fear to tread.
She watches you.  Eyes haunt you.  I want you.
You are not beyond me.  You there!

You!  And thus I summon you.  Approach
and be known, friend.  Carnally or Biblically
I covet your neighbourly ass, come warm my guest chair
drink thin soup and wait for dark.  You there!

For "you" are "there".  I place you.  I locate
your self in the world of selves.  Unique and one,
individually rapt and indivisible,
inseparable from identity, your own sense of "yourself."  You there!

You!  I fathom your nature for you are there
by definition.  You're present but tiny
a seed at the heart of everything.  Embedded,
grit in oyster or gene in cell,
or minute caterpillar, asleep in the rose of the World.

You there, you!  I am talking to you.

NaPoWriMo - 2017 - April 29th - Bridge on the River Quand

There was no prompt, I dug out on old idea (the title) and ran with it...


Bridge on the River Quand


Every poet has touched on time as river,
for all that it's a wrong-headed idea,
the metaphor is inescapable.

The symbolism is inescapable:
I've ordered girders, concrete and steel wire
all dumped beside the water in a pile.

All piled beside the water in a dump
the people of the land that time forgot
yet they can do a proper job on this.

A proper job, let's try to make a fist
a firm foundation's how our works begin
physical strength, specifications met.

Metaphysical, the specs are hard indeed
I'll park my trailer here beside the stream
and work on cross-hatching and bracing beams.

The workers are all gone across the stream
but I'll wait here at the still point I have made
out of the river, a poet time can't touch.

NaPoWriMo - 2017 - April 28th - Signs and portents

You have to imagine that the bits like this
etc are informational signs with peeling paint on the walls in a disused hospital.


Signs and portents

stairs to all floors ↗He believes in progress,
has worked on it through many years staff calendar.
Sometimes things change, his room caught fire one time, accident and
emergency
but other days he sweats ← gym to shift one item
from where it is basement storage to where it ought to be administration block.
This is the way things are these days preventative medicine, but he waves
the thought aside and shunts his occupational therapy handcart
through disused hallways.  He isn't really looking ophthalmology
at the walls or unsafe floor.  He doesn't really plan
the future any more; lacks accommodation staff apartments
for such mortuary errors as occur.  He had lunch
with Kate in the Kings Arms.  Her daughter paediatrics came too;
good grief that kid can put sausage and chips away canteen.
It felt like belonging family planning, and God knows he's better
than her ex psychiatric services--but all the while he was waiting
to be found out authorised personnel only.

NaPoWriMo - 2017 - April 27th - The day science fiction was obliged to save the world

Marrie Lightman suggested an irrational robot prompt, well this is irrational, and it has a robot in there somewhere...



The day science fiction is obliged to save the world

The day science fiction is obliged to save the world
the alien fleet decloaks, apologises; says—
it isn't us, it's them—
and takes their vinyl collection back into hyperspace.

The day science fiction is obliged to save the world
a mutant traffic cop applies penalty notices
directly to the psyche of every boy-racer
from Kathmandu to Watford gap.

The day science fiction is obliged to save the world
the powers that be discover a new minority
but disagree on how to disenfranchise
the unbearable little freaks.

The day science fiction etcetera etcetera
a giant robot strides through the panicking city
with notebook and a magnifying glass;
placing each foot with exquisite care.

Because science fiction has stopped faking it:
no more hints and portents
no more signs for shops that don't exist
selling products you don't know how to use
and no more shapes for things that are not yet yet to come.
It's a day to mark in history
although possibly not ours.

The day science fiction comes into its full powers
the day the sky opens
for casual visitation,
and a day without
the city walls where we spread our picnic rug
on the grass of a hill that is being destroyed
at precisely the same rate it is being created,

is the day science fiction stops taking prisoners
my ex takes the biggest step of her life
from the top of a tall building
up, onto the top of the next.

On this day of which we have already spoken
a brain in a tank imagines a real planet
where minds on experimental drugs dream
the feedback loop completely closed
and change the bag on its nutrient feed.

The day science fiction is obliged to save the world
is the day that my pencil breaks
in Applied Philosophy 101
and the patterns of interference
between the answers I can't now give
and questions they didn't dare ask
tell me everything I need to know.

The day science fiction was obliged to save the world
was a day like any other day:
it rained in the morning;
cleared up later;
I bought myself a cake.

NaPoWriMo - 2017 - April 26th - Space

I remembered the prompt I meant to follow yesterday...



Space

Between my two raised hands
I show just how much width
the coffee table takes
and that is space

not a huge amount of it
something approaching three foot six
but the same stuff
that separates us from the Moon.


You're on the far side
of the coffee table now;
no matter how I manoeuvre
I cannot bring you close...

...you say you need more space;
beyond you is the window,
kites flying in the park,
and beyond that, the Sun.

NaPoWriMo - 2017 - April 25th - Antikythera and other mechanisms

Not really following any prompt here, except there was a prompt about "space" which prompted me (sic) to look through my notes for various terms and something I saw there reminded me I intended to write this.

This was all written in two sessions today, with minimal editing, so it's a bit "first draft" please forgive any built-in insanities.

I have used few Greek names and terms, not many.  I initially tried to get authentic ancient words but in the end decided the main thing I needed was two broadly suitable names.

The Antikythera Mechanism is this.  There is a theory that the ship that was wrecked may have been carrying loot from Rhodes to Rome for use in a triumphal parade staged by Julius Caesar.  I tried matching up the dates to see if that works.  It isn't clear it does, but I've incorporated that into the set-up anyway :-)  I've arbitrarily picked the time when Julius was a consul, there's no actual reason to think this true but I had to give him some title...

I do not speak Greek, especially not ancient Greek, so I have no reason to show off with it.  If I did I might have used some epigram such as:

Είναι εύκολο να ακούγεται έξυπνος σε ξένες γλώσσες

(thank you Google Translate).  Obviously I would never do that...




Antikythera, and other mechanisms


Captain Τιμόν(*) views the device

Caesar has ordered strictly, that no one turns
the handle—the technikós(***) Αλέκος(**)
staggers slightly in the swell, his hand upon
the opened crate—nobody is to see
events from future time laid out.  The Gods
alone know this by right and the consul shows
due deference and decrees that no-one use
this thing save him.  Much later when the man
was drunk, the whole crew heard him often boast
he had no choice but frequently to wind
the dials back to a century before
his birth and forward again up to today.
He claimed this as the only way to see
the mechanism hadn't suffered hurt.

(*-Timon; **-Alekos; ***-technician, modern Greek, I needed a plausibly old term but I also needed to imply the modern meaning, so this is a compromise...)


Αλέκος explains the dials

Upon this side are those things of the Earth:
above, progression of the months and years
laid out in spiral form, and more than that:
the festivals and Games at Athens,
Olympia and Rhodes.  Now lower down
another spiral shows eclipses: Sun
and Moon; dancing in the sky.  I'll turn
it round.  This side is for the heavens,
Gods, their wanderings across the night.
The Moon, its place in things, the dark and bright
phases, the motion of the Sun, through houses
of the Zodiac, and far beyond it all
fixed constellations rise and fall, throughout the year.


The sea captain's dream

Captain Τιμόν rests uneasy, his salt
and water blood uncalm, the mechanism
in his hold offers no direct harm, but a man
who's watched the heavens forty years can't simply
sleep comfortable with ideas of gears
outside the sky.  The calendars that form
his life are woven from much softer things
the winds round certain islands, his son, his wife
and festivals that come because the town
gather; not because some metal pointer pins
them to a dial.  He turns in bed, uneasy.
Part of him knows the wind has changed;
within his dream the same unease: islands that move,
brass spins beneath the waves, a giant hand winding...


Unseasonable

The wind has changed.  The sea grows mad.  The captain
invokes Poseidon beneath his breath and grabs
the steering oar himself.  Beneath the deck
the oarsmen also pray, but Αλέκος
turns from the raging sea and guards instead
the precious crate.  Even technicians pray
but to what spirits, Gods or fates he's kept
his peace—part of the artisan's secrets—
but whatever powers they are fail him.  Down
come the sails, and the oarsmen struggle more.  The lea
of any shore might save their skins.  Τιμόν
tries first for Kythira but as fear grows
turns instead for tiny Aigila(*).  He knows
he's got there only when they hit the rocks.

(* transliteration of ancient name of Antikythera)


The technician's dream

Αλέκος sleeps so soundly when they pull
him from the sea, that all believe he'll die.
They try to keep him warm, burn sage leaves, ply
the fates with secret gestures, muttered words
they've heard the shepherds using for sick lambs.
This is no sheep, nor yet a man: technikós—
who holds construction in his hands.  So deep
his charge has drowned, in sleep it takes him down

and he sees, unsurprised, a new dial: sea level
clearly marked.  The needle turns as all grows dark
around it.  In his heightened state he notices
also for the first time another gauge
"πολιτισμός", now well into decline.
He wonders for how long the dark will last,
when everything he knows has passed, how long
before technicians once again will build
machines to map the heavens?  How long until
they pull a lump of metal from the waves?

(* "πολιτισμός" - politismos: civilisation, modern Greek again...)

NaPoWriMo - 2017 - April 24th - Cassini explains perspective

The (alternative) prompt I followed for this was "a place you've never been".

Cassini was an Italian "mathematician, engineer, astronomer and astrologer".  He discovered the gap in Saturn's Rings and it was this photograph which I saw today and which inspired the poem...

Cassini explains perspective


Everything you know;
everyone you know, have known, will ever know;

everywhere you've been;
everywhere you've never been;

everywhere you could be,
including even, if NASA would only play along,
the Moon;

every song that sticks in your head
all through some rainy afternoon;
every balloon, released accidentally
by any toddler;

every toddler;
every teen;

every thought you ever think;
every meme, you cut and paste on Facebook;

every face;
every book;

every member of the appropriate sex,
who has that certain style—all in

        In the sixteen hundreds, Cassini explained --
        for those travelling a long way --
        how to measure longitude with two clocks,
        the Sun, and careful observations
        of eclipsing Jovian moons.

        Cassini also observed
        the gap in Saturn's rings
        through which we today fling
        a careful dart and have it, looking back,
        photograph

that one pixel : this island Earth.


So I say: stuff your rather pointless election campaign,
pour your new recipe hair conditioner down the drain,
smoke or do not smoke, if you keep it away from me
because none of that matters—
let me tell you about perspective.

NaPoWriMo - 2017 - April 23rd - A spell to prove there is no magic

The official prompt for this day was a double elevener, which didn't grab me.  One of the alternative prompts I'm following said:

        "Must rush!  Do whatever you like!!"

(I'm only paraphrasing slightly...) So I dug this out and finished it.

I really believe there really isn't any magic, folks.  A Universe of this size and incredible complexity genuinely operates on automatic with no sort of mumbo-jumbo at all—which is real magic.


A spell to prove there is no magic


The eye of the newt, a lens of half a billion years
making; drop it in your stew, and I
shall never bow to you, the charlatans
who do not know. So...

this graveyard dirt collected by what light
and on what date, and in whose reference frame?  The stars
behind that ball of rock are many cold light-years
away and this dirt here is just the same
as it would be by day, or be it colder.

Of course there are some quite cool microbes here
but I see you've boiled them.  So much
for bacteriology, and for geometry
while your circle here with pentangle inscribed
is topologically complex, for all of that
I had one on my folder back in school--
nobody turned into anything.

NaPoWriMo - 2017 - April 21st - So, I said

The prompt here was a poem with overheard speech in it.

Sonnet again.  It is my default setting when I do a form.

Interestingly I have known people like this, not diplomats, but who use rudeness as a form of affection, and who even use it to test new acquaintances — if anyone takes offence: well you don't want the effort of people that difficult anyway...



So, I said


So I said: you are a diplomat, are you?
Because I had by chance happened to hear
him call the Finish Attaché a weird-
arsed hybrid of a reindeer and a shrew
and he said: I'll tell you, since we have a while.
My brand of statecraft is my very own
and amongst the cognoscenti I'm well known
for slandering my best friends with a smile

and I can never change because all like
me how I am.  I can't be too correct,
except... just sometimes when I want to crack
their composure, well then I need to go icily
polite -- never fails.  I know he'll be a chum
'cos as he went he said I was plain dumb.

NaPoWriMo - 2017 - April 20th - Identity Cards

The official prompt for today is a poem using the imagery of a sport or game.

I'm not 100% this one works.  It's not using the imagery so much as the rule structure of a trading card game and as the rules on the cards take effect, the protagonist's life gets changed.

It's yet another one I've had around for a while.  It's been sort of "finished" for a long time but I was never sure whether it needed completely rewriting, e.g. maybe with a different outcome or even a different conceit — I have wondered whether the framework could come from a scriptwriter changing things about the events in a drama, rather than a game...  but for the moment it stands as it is.

I would vote for Edward, any day...



Identity Cards


Set-up — deal sixteen Terrain Cards into the city grid.

            The city is warm tonight.


Populate — draw a Neutral Card and place in each Terrain.  As you place each card, perform any special actions.

            The lights are on, and Edward Wu walks tired
            but overall content, through rising dark;
            echoey conversations from just a way
            away, traffic, someone bounces a ball

            against a metal shuttered door; and all
            of this is far enough removed.  There's peace
            in the canal-side market, it's intimate;
            warm summer air, the idea of crushed flowers,

            a hint of rotting food.  Ed loves this mood,
            this end-of-day-and-all-work-done moment
            although the latter's not entirely true
            he has much homework still to do

            the grading on; a weight in his backpack,
            a thought in his mind of kneeling sipping tea
            at Auntie's low down kitchen table, bright
            lamplight circling the paper as he marks.


Dimension Door — draw a card, deploy for free in any area you control.

            Moments are moments and suddenly
            happens not in the moment, but half a second later
            when mind wakes up.  Edward's brain acts all surprised;
            lightning punctuates the sky and by the time

            he realises something's up, the dark-
            cloaked figure blocks his way... very tall,
            quite female, dressed Sunday Best Lord of the Rings;
            she seems, behind her furrowed brow, also confused.


The Sorceress — when played, draw three cards.  You may immediately deploy any of these (at usual cost) adjacent to the Sorceress.

            Everything happens at once: a second moon,
            a dragon drifts in front, briefly it rains
            clockwork men...  A wagon of police arrive,
            take turns to shout incomprehensibly

            through bullhorns.  Tasers are brandished; a weirdling mist
            creeps in; there's howling; ultimatums; an angry
            and extended speech nobody understands;
            a mobile incident unit parks; a shout...


They don't know what they do — When threatened by a neutral card: you may destroy one artefact, then every player draws two cards from the Random Deck and plays them immediately.

            the haft of a staff slams on the ground.
            How often does a moon fall down?  How frequently
            is your young adult world unmade; remade;
            flayed by shrapnel; the sudden change of life

            or heart.  The world has many moving parts
            and every single one of them hits Eddy
            in just a minute and a half.  It's a kind
            of Armageddon.  A werewolf eats his homework.


Promote Leader — move any friendly or neutral card from controlled space into the Palace.  Usual promotion bonuses apply.

            Edward runs the city now: there's more homework.
            It is an indeterminate time later;
            which is the only kind of time he owns—
            the clockworkings with which the ticking men

            repaired him in the ruins of the fallen moon
            keep perfect beat but do not feel the moments
            as they fall.  This must be what it is he says
            to be a mountain with a million drops

            of rain upon you every day.  Each drip
            exquisite and unique, but you barely feel
            the river.  You don't know change at all.  Edward
            keeps the city safe, best as he can.  He keeps

            the mutants in the broken lands. He stamps
            quite carefully but firmly down on crime,
            and once in four years finds its time to tell
            the voters once again.  I am stability,

            he says, I tick.  I am reliable
            as only clockwork minds can be.  A vote
            for me, is a vote against moons falling ever
            again — this is my oath: not on my watch.



 

NaPoWriMo - 2017 - April 18th - Possible taxonomies of the 1957 Yorkshire coast

I went to a writing workshop, some years back now.  One of the exercises was to watch a "British Transport Film" similar if not identical to this:

-and write a poem in response.

It's the "poem" part that may be dubious here.  Sometimes my response to something is more to its style than its content and seeing this I was struck by how much it was unique to the period.  So I started thinking about how people might present the same information in other styles...  and I hit on the idea of an overly abstract and academic study.

So what I am saying is that there may be nobody else in the world except me who gets this...

...but it is a list poem and you could imagine it came from the introduction of some dry-as-bones volume that a tweed clad professor has been labouring over for the best part of a decade..

---

Possible taxonomies of the 1957 Yorkshire coast

• those involving sun hats
• those involving beer
• those involving knobbly knees
• those involving simple foodstuffs : apples, sandwiches, cheese
• as above, but also fish and chips
• those involving model ships or boats
• those involving racquets
• those involving balls
• those involving young ladies
• excluding the most popular of all
• those involving sand
• with buckets and spades
• with towels
• with sandwiches
• those planned a year in advance
• those involving dance with various degrees of skill
• the subset involving omnibuses
• those involving ice cream
• the subset with also small children
• and the subset of those in which a seagull features
• those involving other creatures:
• donkeys
• crabs
• minute fish
• those in which you drink too much, and wish you hadn't
• those featuring special boys or girls
• appearing at just the wrong moment
• or where they don't arrive at all
• as yet to be categorised:
• sea temperature
• sunburn
• chilblains
• lower back pain in the context of luggage
• all the grades of rain

NaPoWriMo - 2017 - April 17th - Of tea and politics

The challenge here was a poem about a closed door.  I've taken that figuratively again.  The real door in this poem is glass and the characters can easily see what's behind it.  What's unknown is the door of the future, but it's slowly creaking open on disturbing possibilities...

There is obviously nothing.  Nothing whatsoever.  In today's world that makes me feel like this.

Move on citizens.  Nothing to see here.



Of tea and politics


They have now hanged the suspect spy
just outside the door.  He's swinging
from the cast iron sign
shaped like a teapot.  It creaks alarmingly.
This afternoon is waxing quite complex.
The police chief's voice still thunders from the kitchen.
He's on to topics wide as loyalty, respect for law,
and macaroons, and fear.  I beckon the waitress near
and ask:
Could I just have another scone?
The afternoon moves on towards an evening,
which no-one present dares to guess.
The hanged man stills.
I shall bury him, he was my servant.

NaPoWriMo - 2017 - April 16th - Language does not exist…

Language does not exist…


Language does not exist…

not in the sense of something we can touch,
engineer, pass from hand to hand, feel the grain.  Language…
the shared delusion is an illusion.  We understand chocolate cake,
a concrete thing: we agree the broad idea
but only one of us recalls Paul, at two years old,
smothered in the stuff.

Less agreement with abstractions: my love
is not your love; and my sovereignty
doesn’t exist at all.

How much worse when we get to something you don’t know.
You mention that you like to go kayaking
but I have never experienced the sudden cool
of near ice water running from a paddle into my sleeve
or the semi-resonance of millimeter-thick fiberglass
rebounding from submerged geography.


Language does not exist…
although the dictionary says otherwise.
The words in the book of lexical lore
will claim to, with precision, pin a meaning on every
possible utterance. They do not and cannot;
Dictionaries do not exist…

Language isn’t definitive or declarative,
it isn’t even functional at heart. It’s metaphorical.

Let’s get high!

We can do that here on the hill,
with the stepladder,
and you are very tall;
and the guitar solo goes up and up;
and you've been promoted, by a higher power;
your salary is now so much,
but this meat’s off;
the electricity is strong;
your church is formal;
and your fashion sense is very sharp today.

All these things are someway “high”
but the only way in which three octaves above middle C
is like a piece of rotten meat,
is buried deep
in our psychology/neurology.


Language does not exist…
not as something fixed
which you can grasp with thought or pen.
Continual flux is all there’s ever been:
spellings, meanings and usages
shift beneath our tongues
like extreme sushimi.

You, I hope, understand me.
Shakespeare, however, would get me less
and Chaucer might think I was speaking
a foreign language.

I take my words back,
I take them back in time until,
somewhere maybe in the 9^th or 10^th century
there comes a point where they have no meaning at all...


...because language does not exist.
Not even in the other direction.
My words are of course
recorded for posterity, but after I die and as they age
what anybody understands fades out.
Until there comes a moment
when my great, great, great, great grandchild
—factoring, loneish in the interspace—
wonders what planet I was from.

If I was truly great,
people would update me
once per generation,
but we can't all be Shakespeare
—if nothing else Shakespeare's already done that.
So there that's us evolving once again.


Language does not exist…
Je suis un éléphant.  I might say,
if I was French,
and an elephant. Those who are the sort
to understand French elephants would shrug
expressively
and wonder why I stated the obvious

but my words would be gibberish
to the differently linguistically endowed.

English exists,
French exists,
and they’re langages…
but they’re not language itself, which does not exist.
English/French dictionaries, in particular, do not exist.


Language is a maelstrom, language is a storm.
People think they pin it down, control it...
define it;
but they may as well bottle the hurricane.

Grammarians will claim they can explain
and lay down every part of speech in grammar books.
Grammar books do not exist
and as for the people who write them:
I've never met one.


Language does not exist…
so set yourself free!
No ploddy, tetrapody emphraslement for me!
No momentary ding.  Talk toboggan listen
all everness towards myself true wordy
and ultimatum infiltrate the thing
of do magnificence, superlative, and evermore unstopped.

Nobody can stop me doing this
and nobody can touch me for it...

because language does not exist.

NaPoWriMo - 2017 - April 15th - The impossibility of Elspeth Spangler

This one languished for a long time as just the first strophe and the idea of releasing the mice.  However on the train yesterday it got its moment to shine...

Elspeth doesn't shine...  she glows gently if she thinks nobody is looking.

I'm not vegetarian but I like vegetarian food.  And I'm not a cat person, but I'm even less a dog person so I get Elspeth to that extent.



The impossibility of Elspeth Spangler


The woman can't exist.  She does not work
for all hours in the whole-food shop.  She won't
arrive at six to clatter shutters down
and shove the drawer back firmly in the till.
She never checks the racks for misplaced packs
or things that need refill.  She has no chance

encounters with her oldest friend or lunch
outside the vegan café opposite,
and they don't laugh round cauliflower bake
or snort latte at what the teacher said
that day when they freed all the classroom mice
in the unreal childhood many miles ago.

And now she doesn't wander, weary, home,
the day of problems not quite out of mind,
although the ones now gone feel so well done.
There isn’t any hint of rain to damp
her slightly battered funky hat. There’s no
absence of boy or girl back in the flat,

boiling the kettle ready. She doesn’t need
to keep her coat and scarf on while the place
warms through. There is the cat, who adopted her
so many years ago and who awaits
the ceremonial filling of the bowl
as if the World were a real and reliable place.

NaPoWriMo - 2017 - April 14th - Haunted

An old unfinished one I dug up and converted to electricity.

Quite by coincidence this (almost) fits of the prompts I saw elsewhere for April 14th: A poem about friendship — I think that ever-so-ever-so-long-ago friends are still friends, aren't they?

Haunted


Somebody steps on the creak-board now.

The door is closed, bolt unthrown
when someone treads that selfsame creaking board
so forty years just come undone and blow with my smoke
through the empty window pane.  There was a time

when from that single tread I could have told
exactly which of the three of them
the other three haunts,
the other three-quarters
of the definitive clique
the high school slightly ahead of the curve
but not so geek squad: Becky, Dave or Edward

was stood on that selfsame creaky board
but no more — those four decades
will not be put aside. Time goes in a moment
but the moments then remain, elapsed,
forever.

I've always known that I must come again
to haunt this ghost-filled building in the trees
but who in turn is haunting me
what spectre, childhood or young adult,
stands now upon the landing.  Why don't
they push the door?

Time was, we four, came here
to drink and smoke, snog
in various combinations
— Dave/Ed is the only one they won’t admit to —
and talk about how the World will be
when we’ve drunk from the secret cup

of growing up. And here I am
fast-forward to this moment
forty-odd years and no leagues hence
when all dreams are no more
and how our lives turned out are now well know.
Somebody steps on the creak-board now.
Please do not push the door.