Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts

2018-04-09

NaPoWriMo - 2018 - Day nine - The tiniest of details


The tiniest of details...

A cosmic ray strikes Abby's brain
as she sleeps beneath her winter-cold duvet
and when she awakes, a tiny message
blinks before/behind her eyes:

"safety protocol disengaged"

but she takes no notice,
blinks it away before she wakes,
makes coffee; double strength
and with triple sugar without a thought.  No it's

Kevin first notices the change
when she jumps him by the coffee machine,
drags him into the copy room
and has her way, which is wickeder

that Kevin ever dreamed: underwear flying,
until Ed spots the pair, somewhat dazed
still lying, and Abby seduces him as well.  And then
to the Professional Development Committee

where Watkins is the same hide bound reactionary
as always, but it turns out that you can beat
any weaselly argument if you beat
the arguer unconscious with a swivel chair.




2018-04-08

NaPoWriMo - 2018 - Day eight - Can you give us examples?





Can you give us examples?


The barely mentioned character in somebody else's biography
The door that isn't opened, even once, during an entire film
The small coin only seen for a moment as it bounces down a grating
The biro you pick up, scrub on the paper, then drop back into the drawer

That person you really liked, but never managed to get on with
That day you had the detailed todo list, and didn't do any of it
That piece of clothing you bought in an fit of individualism and never wore
That tool which is perfect for the job, which you only bang clumsily against things

This sharp corner on this table here
This inexplicable small tax deduction
This queue, longer than you've even seen here before
This slight tear in your favourite jacket

Those steps up the hillside which fail to have an end
Those people employed to stop you having what you want
Those rules, the ones you were not told about
Those reasons to keep living, the ones you cannot quite recall




2018-04-07

NaPoWriMo - 2018 - Day five (delayed) - Art is about learning to ask the right questions

Art is about learning to ask the right questions








"Put Holden on it, he's good."
       — the original Blade Runner


You're walking in the desert when you see a rhinoceros,
until now the magnum opus that's forming in your head
involves sequins

I don't know why there is a rhino in the desert
it doesn't matter, it's hypothetical
anyway the rhino looks

as if it might want to criticise your idea that colours
achieve an ultimate unity by fading in the distance
to perfect white.

Would you be worried about living without walls?
They do teach you about walls in the Academy?
No, I don't know

about the texture of the desert, rough I suppose.
Stop interrupting.  Would you like cream
in your coffee?

That's not part of the test.  You are covering the desert
with wallpaper.  Why is that?  Mile after mile
of featureless ivory paper.

One colour extending forever across the sand;
covering gravel, small spiky shrubs, tiny lizards,
dormant toads and jumping mice.

The paste is gumming up the small creatures' eyes.
None of them like it but you don't care.
Why is that?

OK, we're done  You're not a replicant
and your artist's statement stinks.  Oh, I'm a replicant, am I?
Would you like to take this outside?
Why is that?


written to use the names of different wallpapers that we found while deciding how to redecorate the lounge.

2018-04-06

NaPoWriMo - 2018 - Day six - there's very much a multiverse...

there's very much a multiverse...




The multiverse, earlier in what we may as well call "today"

...and anyone says otherwise is saying something different in some other world than this you gave her a kiss and just the same you punched her solidly in the solar plexus but there is no nexus of universes no group of places more or less real you are the saint and martyr monster non-entity and plastic penguin wash machine designer in equal measure you have such leisure to explore the multimultimultiplicity of things and thingness and you might conclude that nothing matters why struggle when every act is going to play out whatever why try when here you are just getting by and some other you in another place that is this place but "other" if you know what I mean is leaning on his golden balcony and shouting to his mistress that he will not need the Rolls now after all what with the telegram from the World Bank and you are you and all the shades of you and all these people blurring together in a smear scooped from the larger melange of peopleness and some yes you would say are definitely you if with added combat knife or virtuoso violin but others again are close to youspace but not quite in it there is no hard limit and around the edges you blur imperceptibly as if anyone is perceiving this but stay with me because around the edges you blur into everybody else you know or might have known and there is out there somewhere the you which is fifty-fifty between the man you think you know and Keanu Reeves and there is the one that's sixty three percent Diana Dors and all the shadings into Hitler of which we shall not speak and equally there's the version which is exactly half way between you and God and there's all of this and more more than you imagine more than you can imagine more than you can imagine imagining even if some of you can imagine a lot so you may think there is no point persisting in being the you you are but do carry on because if nothing matters cosmically then here and now it still matters to you and me and I'm sure we can do better and there is a view that there isn't even a multiverse and that all there is is every possible state of the universe just thrown together in an random pile and that time only appears to exist because some states of the universe appear to encode a past and in this view nothing may be real nothing may last seven seconds ago might be a fiction and seven seconds in the future might never come and given that you are the fourteen second you then you should be who you are with all your might and given that yes given that YES! I believe I will have that drink...




2018-04-04

NaPoWriMo - 2018 - Day four - Considering the Kardashev scale


  • A Type I civilization—also called a planetary civilization—can use and store all of the energy which reaches its planet from its parent star.
  • A Type II civilization—also called a stellar civilization—can harness the total energy of its planet's parent star.
  • A Type III civilization—also called a galactic civilization—can control energy on the scale of its entire host galaxy.

    (simplified from Wikipedia)


Now let us speak of things you're yet to do:
let's take apart those planets we don't need
and put that mass to other use; let's produce
machines the size of worlds, from components
the size of atoms; let's move the stars into a neat
array; let's have our way with every aspect
of natural law; and let's, when that becomes a bore,
consider ways in which laws might be repealed;
let's turn our backs on brute humanity and stroll
so cool, so rich, so strangeinto the very small,
the very far, the very long; let's sing that song
of a hundred million years; let's edit all the tears
from our experiences; let'sto be frank
die no more.  Is any of this in your manifesto?
I thought not, and this is why: no!
You cannot rely upon my support
in the forthcoming local government election.




2018-04-03

NaPoWriMo - 2018 - Day three - Lost in transliteration


Lost in transliteration

I could take your words and express
their anger, sarcasm and loneliness
in the secret language of penguins who have
six thousand, three hundred and twenty-two
words for fish, but have never needed
any words for cold feet
or the smell of fish.

And if that happened, you could reply
using pigeon's words for sky
inserted in the lingo of octopod
entanglement where anything with a knot
in it is rude, but there is only one word
for any hard object
that a beak can't break.

And then we would be courting;
assigning and assorting our endearments
(as thoroughly disguised as they may be)
in ever stranger languages and customs:
the words in which a tree
describes diagonals of light and shade,
in terms of friends who make them;

or the speech in which
woodworm explain the enclosed tracks,
their intersections, loops, forwards, backs
indistinguishably from their taste;
or the complaints of mayflies
about eternity
on any summer's afternoon.

But all this would be hypothetical
you speak only your own language
and in any case
you are not listening.




2018-04-02

NaPoWriMo - 2018 - Day two - A voice in the crowd

A voice in the crowd



I - I

That's a number and a pronoun,
in case you are confused and if it puzzles you
imagine how it has to be for me:
the me that sits here writing.

I know who I am: I'm me;
and you know who I am:  I'm the person you're reading;
and neither of us knows a thing.


II - Narrator

I know who I am, and am the speaker
and everything I say is speech and you might ask:
Why aren't you quoted?  Why aren't you italic?
But that would never do

I'm not a speaker in the scene
but am ever removed, distanced
seeing everything, uninvolved.


III - Inner voice

I do get italics, when I say:
I get italics,
because I am when the narrator speaks,
the author speaks, or when

the author reaching into your head,

gentle reader, puts words right there
instead of on the page.



IV - Author

I am the voice behind the voices
everything you hear is me
and everything you read
is how you hear it's me.

I still am not reality, you understand,
I'm your interpretation
of my projection, of what I want you to think...


V - Author (on podium)

...and here I am again, saying:
when I wrote this poem I wanted to show...
and there you are in the audience, lapping it up
because you've paid

(at least in time if not hard cash)
to hear me say this and you wish,
you really wish, I'd just get on with the poem.


VI - Character

Ignore me,
I'm just someone
that one of him
made up.


VII - Poet

So I'm the sum
of all of the the above
or if you like I dissect into
the crowd of them

and yet, here I am again,
typing, with no mind on any of this,
just typing words.




2018-04-01

NaPoWriMo - 2018 - Day one - Evil medieval rabbits

Evil medieval rabbits


What cunicular Hell? You may well ask,
lurks in the margins of otherwise coherent
medieval documents and it's not apparent,
to twenty-first century eyes, quite why

the bunny-eared crew should freak out so
completely. When leporines attack!
Do peasants stumble back: their former
food and fur supply rotating on the spot

and reaching out for weapons. The world turned upside down
is pretty much the message here these 'drolleries’
or ‘grotesques' as codicology explains
are symbols for our base biology.

Characters of cowardice and innocence; helpless,
and sexual. However, let's be clear
there can be nothing evil here
because rabbits don't do evil

(even when they eat their young). There is no evil
to preying on the leaves of grass
and even though medieval sex talk
has the wolves jumping on rabbits:

there was no fall there either. Animals
get on with it and don't reflect
on whether they are good or bad
or saved or damned. Those thoughts belong

in only the human version
of the story and even when the fox dines
there is no misbehaviour there.
That way of seeing's purely our perversion.



Reference material and some words taken from: Why Are There Violent Rabbits In The Margins Of Medieval Manuscripts?




2018-03-31

NaPoWriMo - 2018 - Day minus one - To begin at the beginning

To begin at the beginning


There must have been a creator, or possibly not
we do not know.  The creation of universes
is not a thing we've seen.  No-one rehearses
that moment of becoming.  No-one has got
any cosmic remote control to wind
back to the start of time and watch again
and again.  We have no frame in which to frame
such ultimate questions.  The start of time

is far outside our scope...  and yet there's blokes
(of any gender) even as we speak
who peer into their telescopes or screens
and with imagination, maths and hope
they make that leap.  They read the antique light,
and say they see just how it must have been.

2018-01-30

New Muses for a Posthuman Age



New Muses for a Posthuman Age








I follow a filk singer/songwriter called Dr Mary Crowell and on her album: Scattering Seeds on the Pomegranate Tour she has a song: Courting My Muse.  This track inspired me to write a sonnet sequence about how the Muses might be updated for the 21st century.

So far, so good, nothing unusual there, I've written sonnet sequences before...

...however when I came to record this, I had a problem.  Muses are female and plural, where I am male and singular.  So I hatched a plan.  I put out a call to various female poetry friends asking them whether they would like to be one of my Muses (I phrased it a little more carefully than that.)

To my delight friends signed up in sufficient numbers to be able to record all nine Muses, plus a group effort for my bonus "Omnes" sonnet that rounds things off at the end, and I was doubly delighted when Mary Crowell leapt at the opportunity to participate (bringing the whole thing full circle...)

I've spent some time editing these together with sound effects and music to complement the poems.  I also recorded myself narrating between the various goddesses in my guise as "The Mortal".

I have to say I'm very pleased with the result.  There's something uniquely satisfying in hearing talented voices read your work back to you, and it also is also educational, bringing out things in the poems that wouldn't be there in my reading.



Cast in order of appearance:

The Mortal
A man, like any other...
Ian Badcoe
This is my blog you are already reading...
Facebook
Twitter

Calliope
Goddess of Complex Computation and Difficult Projects
Natalie Shaw
Natalie Shaw is a poet who also works for the Government Digital Service. She is @redbaronski on Twitter and writes very occasionally on her blog: https://natalieshawpoems.wordpress.com/

Clio
OMG of Celebrity Gossip and Fan-fic
N Magennis
N Magennis is an author and artist. She lives in Argyll. https://nikkimagennis.com/

Euterpe
Rock Goddess
Amy Kinsman
Amy Kinsman is a poet and playwright from Manchester, England. As well as being the founding editor of Riggwelter Press, they are associate editor of Three Drops From A Cauldron and the host of the regular Sheffield-based open mic, Gorilla Poetry. Their debut poetry pamphlet & was joint winner of the Indigo Dreams Pamphlet Prize 2017 and is due out in April this year.
Facebook
Twitter: @manykinsmen

Erato
Goddess of Personal Development and Self Image
Juliet Anthill
Juliet Antill lives on the Isle of Mull with a SORN'd Fiat Punto and a cat called Alice. She has poems coming out in Magma and Prole this Spring.

Melpomene
Goddess of Heartbreaking News
Dr Mary Crowell
Dr. Mary Crowell is a geeky musician from north Alabama who is very active in the filk community. Her doctorate is in music composition, and she teaches music theory, composition, music appreciation, and piano at a local community college as well as at her home studio. Mary loves to write songs about mythology, gaming, coffee, beagles, and zombies. You can find her gaming album Acolytes of the Machine & Other Gaming Stories (2012) on Pandora Radio. Her latest album (funded by Kickstarter) is Scattering Seeds on the Pomegranate Tour (2017).
Patreon
http://marycrowell.com/

Terpsichore
Goddess of Body Modification and Bionics
Jenn Zed (Cyborg Edition)
Ms. Zed is an artist and writer who lives in Bath, England, with her cat. You can view her Portfolio at https://jennzedblog.wordpress.com/

Thallia
Goddess of Lies we tell Ourselves
Rosemary Badcoe
Rosemary Badcoe’s first collection, Drawing a Diagram, is available from Kelsay Books or directly from her. She is editor of the online poetry magazine Antiphon and has been published in a range of magazines.

Urania
Goddess of Space Shots and Surprisingly Distant Robots
Brenda Levy Tate
Brenda celebrates life in rural Nova Scotia, Canada, where she wanders outdoors at midnight, camera and tripod at the ready. She's especially drawn to astrophotography, so Urania is her particular Muse. She was a senior high drama and English teacher for endless years. Now she's a cat lady, poet, occasional singer and cheerful retiree.
Her book: Wingflash
brendatate.com

Polyhymnia
Goddess of Misc.
and Everything
and Holism
and Interdisciplinary Studies
and All That...
Jenn Zed
Biography as above

Credits read by
David Callin
David Callin lives on the Isle of Man.

Additional vocals
Rosemary Badcoe



Sound effects acknowledgements

All sound effects were downloaded from freesound.org under either The Creative Commons Attribution LicenseThe Creative Commons Public domain License, The Creative Commons Attribution Non-Commercial License or The Creative Commons Sampling Plus License.  Changes were made such as fading-in and -out, tempo/frequency shifts, noise reduction etc...

The effects used can be found at:

Calliope:
https://freesound.org/people/Christopherderp/sounds/364531/
https://freesound.org/people/Erdie/sounds/27858/

https://freesound.org/people/brendan89/sounds/321552/
https://freesound.org/people/metrostock99/sounds/345078/
https://freesound.org/people/Snapper4298/sounds/183497/
https://freesound.org/people/Ali_6868/sounds/384911/
https://freesound.org/people/BigDaddyD/sounds/54829/
https://freesound.org/people/Cribbler/sounds/377083/
https://freesound.org/people/YleArkisto/sounds/349654/
https://freesound.org/people/reinsamba/sounds/129745/
https://freesound.org/people/Sevin7/sounds/271039/

Clio:
https://freesound.org/people/jayfrosting/sounds/333402/
https://freesound.org/people/drotzruhn/sounds/405203/
https://freesound.org/people/btherad2000/sounds/328045/
https://freesound.org/people/satanicupsman/sounds/149140/
https://freesound.org/people/Pandos/sounds/362353/
https://freesound.org/people/jayfrosting/sounds/333384/
https://freesound.org/people/unchaz/sounds/150957/
https://freesound.org/people/Benboncan/sounds/82361/
https://freesound.org/people/kukla/sounds/94036/
https://freesound.org/people/loudernoises/sounds/332808/
https://freesound.org/people/Adam_N/sounds/324892/

Euterpe:
https://freesound.org/people/luis_s/sounds/328971/
https://freesound.org/people/pitx/sounds/16188/
https://freesound.org/people/martian/sounds/83155/
https://freesound.org/people/safadancer/sounds/182015/

https://freesound.org/people/karolist/sounds/370934/
https://freesound.org/people/straget/sounds/404687/
https://freesound.org/people/abett/sounds/316703/

Erato:
https://freesound.org/people/11linda/sounds/393600/
https://freesound.org/people/LasciviousGork/sounds/168132/
https://freesound.org/people/acrober/sounds/86112/
https://freesound.org/people/Setuniman/sounds/155256/
https://freesound.org/people/bulbastre/sounds/103991/
https://freesound.org/people/golosiy/sounds/107932/
https://freesound.org/people/safadancer/sounds/182015/
https://freesound.org/people/safadancer/sounds/182018/
https://freesound.org/people/klankbeeld/sounds/195286/
https://freesound.org/people/btherad2000/sounds/328045/

Melpomene:
https://freesound.org/people/pgi/sounds/212606/
https://freesound.org/people/pgi/sounds/212600/
https://freesound.org/people/gkillhour/sounds/267222/
https://freesound.org/people/FillMat/sounds/384401/
https://freesound.org/people/pushkin/sounds/241590/
https://freesound.org/people/visions68/sounds/351333/
https://freesound.org/people/copyc4t/sounds/218372/
https://freesound.org/people/maycuddlepie/sounds/330298/

Terpsichore:
https://freesound.org/people/sevenbsb/sounds/349398/
https://freesound.org/people/FlatHill/sounds/324756/
https://freesound.org/people/stomachache/sounds/274516/
https://freesound.org/people/Vosvoy/sounds/139026/
https://freesound.org/people/botha9johann/sounds/326049/
https://freesound.org/people/SpiceProgram/sounds/365034/
https://freesound.org/people/chinpen/sounds/381959/
https://freesound.org/people/renatalmar/sounds/264981/
https://freesound.org/people/Reitanna/sounds/344001/
https://freesound.org/people/Hybrid_V/sounds/321215/

Thalia:
https://freesound.org/people/toam/sounds/198625/
https://freesound.org/people/esperar/sounds/170781/
https://freesound.org/people/Vosvoy/sounds/139026/
https://freesound.org/people/DJames619/sounds/389247/
https://freesound.org/people/OldSchool_/sounds/408768/
https://freesound.org/people/fisu/sounds/350619/
https://freesound.org/people/pyro13djt/sounds/337997/
https://freesound.org/people/kiddpark/sounds/201159/
https://freesound.org/people/benjaminharveydesign/sounds/366099/
https://freesound.org/people/f_ilippo/sounds/59194/

Urania:
https://freesound.org/people/the_very_Real_Horst/sounds/223419/
https://freesound.org/people/Corsica_S/sounds/52752/
https://freesound.org/people/Oddworld/sounds/125105/
https://freesound.org/people/Wesselorg/sounds/408442/
https://freesound.org/people/digifishmusic/sounds/54190/
https://freesound.org/people/jppi_Stu/sounds/70986/
https://freesound.org/people/primeval_polypod/sounds/158894/

Polyhymnia:
https://freesound.org/people/chipfork/sounds/50087/
https://freesound.org/people/DCPoke/sounds/387978/
https://freesound.org/people/ProjectsU012/sounds/334685/
https://freesound.org/people/felix.blume/sounds/160469/
https://freesound.org/people/MrAuralization/sounds/259292/
https://freesound.org/people/are16ocean/sounds/117597/

Omnes:
https://freesound.org/people/benjaminharveydesign/sounds/315918/
https://freesound.org/people/harrybates01/sounds/254364/
https://freesound.org/people/thegreatperson/sounds/210793/
https://freesound.org/people/InspectorJ/sounds/343130/
https://freesound.org/people/mike_stranks/sounds/341604/
https://freesound.org/people/lebcraftlp/sounds/243627/
https://freesound.org/people/parnellij/sounds/74892/
https://freesound.org/people/Parasonya/sounds/394921/
https://freesound.org/people/ryansnook/sounds/110111/

2017-11-26

The difference between a poetry open mic and the Albert Hall...

A mighty organ,
earlier today...
I go regularly to a poetry open mic now, it's a great evening and the only way to expose WIP poems to the real world in a performance rather than page context.

Standing up in front of people to read poetry terrified me at first, although the knee trembling has slowly declined over the last year.

Which brings us to the topic of confidence.  In one view confidence is precisely that characteristic which enables us to stand in front of an audience and recite your poetry.  It is often said that it is something you either have or do not, and this is very true.

I would just like to add from my own observations, however, that ninety percent of the people who do have confidence shouldn't.

Imposter syndrome: it's what the worthwhile people have.







The difference between a poetry open mic and the Albert Hall...


...lies mainly in the grand piano.
I wish I had a grand piano here
to hide behind.  Serious props!  It must be nice
to let them take the strain of breaking
the audience's hush; to let the instrument speak,
make clear there's something here to hear
a piano could do all that for me but...
can we do better?

How about an organ?

I don't mean some cheesy Hammond
electric thing, or even a theatre organ that rises
unexpectedly through the floor to explode
your expectations,
no...  this was the Albert Hall, remember.

I mean a world-class pipe organ,
rising from the stage, stage upon stage
to fill all available space with keyboards and stops
and pipes and valves and plaster grapes and flourishes
of gilded angel's heads.  An organ which, in fact,
neither Captain Nemo,
nor the Phantom of the Opera
would be embarrassed to play.

If the instrument is grand enough
then like the most committed electronic bands
-- their banks of keyboards, mixing desks and amps --
the audience need not be sure
a performer is in there at all

and I (we're back with the organ now)
could set the manuals on automatic,
climb to a vibrating eyrie, somewhere in the pipework,
and watch the audience
through powerful binoculars
lip read who makes what aside to whom
at special moments in the tune; note
who has to make a toilet run,
which melody they choose
to cover their retreat,
and are they embarrassed.

And in this hypothetical world,
I will always play an encore
but the audience will never know I did.



2017-10-29

A new star on Tuesday

A simple little piece, this.

The title, of course, comes from Duran Duran.

The subject matter is cosmological physics, the life-cycles of stars and its role in the evolution of life and civilisation.

The setting is a restaurant, you've all been in restaurants, yes?







A new star on Tuesday

in one corner
of the restaurant

a supernova
blowing bubbles
its straw below the surface
of the interstellar medium
and exhaling
one last sharp breath

the nebulae
dining on gas and dust
at neighbouring tables
pull inwards
as embarrassment blooms
hot and tight

until finally
here's irony
heavy elements kindled in the gyre
but mostly iron
spraying out
in all directions
to seed the lunchtime menu
with richer dishes

it isn't mangles
flat-irons
three-eighths Whitworth bolts

it isn't armadillos
pentagonal sea creatures
and opposable thumb drives
raining down from an empty sky

but it's a start



2017-10-07

Devotions (dedicated to Brenda Levy Tate)

(Dedicated to Brenda Levy Tate)


My favourite of Brenda's recent photos
this has everything: a galaxy, a self-portrait,
an outhouse...
Brenda is somebody I know but have never met.  Thus is the power of the internet.  Brenda and I used to hang out with other like-ish minded individuals on a poetry forummany years ago now.  We shared and critiqued work, we chatted of this and that...

More recently I've known her on Facebook, and I've come to appreciate the great love she has for her family, and the region where she lives (Yarmouth in Nova Scotia); her on-going quest for interesting bargains in the local shops (the "interesting" is more important to her than the "bargain")...  She also often shares her concern for her fellow inhabitants, their political travails, and the local weather and its impact on the fishing crews (some of whom she's related to...)

But the most wonderful thing about Brenda is her unreasonable devotion to staying up all night, or getting up at 6:00 a.m., or even 3:00 a.m. and going out alone into the surrounding countryside for no reason except to photograph the stars.

This photograph here is my favourite recent example, and this poem is a recent one of hers that won first place in the IBPC poetry competition for January 2017.  This site contains some of her photography, although not a huge amount of the astrophotography which she admits needs updating.

Is Brenda my friend?  Can you have a friend you have never met and never will meet?

The answer, of course, is it doesn't matter!  Labels are not required.  The internet has invented several new types of friendship over the years, and no doubt will again.  The fact that, as a species we can invent new kinds of friendship: that's surely something hopeful, something worth devoting ourselves to...







Devotions

After she leaves the nunnery, her suitcase waits
for the shuttle bus, patient in Italian dust.
She returns to Coventry, to rain and rooms
with a distant Aunt.  She is adrift.  She tries

to lift her mood in the public library
but chances into the reference section
and reads it all.  Three years later she upgrades
to a visitor's ticket at the University;

still lost, but finds Philosophy to be filled
with many helpful guides.  She chats with Plato;
hides from Nietzsche; finds Kant natural
but Heidegger hard and chances at last

on Teilhard de Chardin who takes her in hand.
They hike four hundred Dewey Decimals north
to land in Astrophysics, right next to Carl Sagan
and the world moves

the very next day in Morrisons--her palm
against fluorescents is filled with brighter light.
We are star stuff.  We are golden.  And as for the Garden...
it's obvious we've never left.
 
***

The check-out assistant frowns,
but sells the apple anyway.

***

Most mornings now she jogs, and in the afternoons
her job at the railway information desk
will let her set lost travellers on their way.

So much for the days.  In the evenings she returns
to the tiny room.  She has travelled now so far
that light leaving the Abbess at T = 0
will never catch her up.

Sometimes she works on relating theory
to everything; sometimes she sits
and watches stars go past the window. 



2017-09-29

Sept 29th - The agency...





The agency...

...reserves the right to terminate its staff
at any time.  The agency requires
your secret pocket phone upon your person,
turned on, and with the flex not tied in knots,
for twenty-four hours in the day.  We may
at our discretionsubject our personnel
to physicals or medicals or days
mysteriously missing from their week...

...because, the agency...

...henceforth known as The Agency, at will
may, without prejudice, amend your friends
to suit its needs, inserting random strangers:
have you met "Denise"; and rubbing out weird Joe
who once you were quite keen to know and who
still makes you laugh sometimes.  We will provide
a set of field-expedient manuals
with all the humour you require.  We are...

...the agency...

and may place items in your Twitter feed,
your shopping trolley, or your secret heart.
Dating co-workers is required, but please
check codewords every time you meet, and sex
must be according to the book.  Ask for:
A15-brackets-B-stroke-W
(or F-dash-C for colour illustrations.)
For clarity, the sum of agents is...

...the agency...

...and we express no preference for gender,
creed or colour; so neither should you, either
for your self, nor for your special friends.  Agents
need to respect the social order only
for psychological profiling.  You are
a professional intelligence worker:
no t-shirts, beanie hats, or jeans.  Which means
when you are undercover you deny...

...the agency...

three times, or else you're violating our
dress code.  We are ISO 5000 accredited,
a best-in-class spy-service provider.  You...
are a suit with a badge.




2017-09-26

Sept 26th - This is the epiphany room...



This is the epiphany room...


...it has to be furnished in this way
for you and at this time.  Do not
attempt to turn on the light, do not
try to force it.  That never works.

This is the faithfulness door:
as long as you don't try it, why,
it is not locked.  You may, however,
enter the room at any time...

...although the how and why of it
are left as an exercise for you.
We did not feel it right to do,
or rather give, it all.  Now watch,

this is the revelation switch:
rest your finger lightly on the top.
OK, I think that that's enough!
Go back into the darkness now...

...but always remember this
was the epiphany room.
We thought that you should know
it was here.


2017-09-25

Sept 25th - In the horological gardens : function vs. form


In the horological gardens : function vs. form


The sundial stands in a patch of grass:
that is a wabe -- as C.S.Lewis
assigned the name, but it is not

the wabe that makes the dial into
a sundial.  The plinth of this one carved
with summer sun and autumn leaves

and with today's bleak winter trees
but mere plinth is not sundial.  The gnomon,
all rough with verdigris except

where hands have worn it back to smooth
and bronze, also its leaching copper
has stained the dial, but though this wedge

and dial are necessary for
a sundial, they are not sufficient:
another thing's required. There's rain

upon the sundial all today,
the sky of grey has left my time
quite undefined: a dial undone. 



2017-09-24

Sept 24th - Making distinctions



Making distinctions


Some say
the gills are grey
beneath the fringe
and that is how you tell,

and snobs will claim
the acid-test remains
in how they hold their cup of tea.

Another thing that you might see
is if they feel the need
for any special clothing
or badges that propound a creed.

Landing with their wings spread:
is another popular sign,
but you must check the antennae ends
for knobs,

and finally, many swear
you can note the length
and parting in their hair, or the side
on which they wear an earring --
if they have one.



2017-09-22

Sept 22nd - In the horological gardens : ruderal moments




In the horological gardens : ruderal moments



you are
beneath a tree; the leaves
a semi-parasol; the sun
pleasantly hazed by high thin cloud; the blanket
slightly dusty/musty in your nose; the rain
was brief but left that hint of petrichor; the crowds
of toddlers are thinned now; the birds
make bird noise in the tree; the other
on the blanket rolls towards to you...


you are
on a bench; the clock
chimes in the tower beyond the wall; the seat
is cold beneath your bum; the dusk
is drawing on; the burger
gone, you lick your fingers optimistically; the plants
are brownish twigs; the steps
down to the path are lit: the lamp brightening; someone
walks through the pool of light...


you are
sitting and rolling in your chair; the nurse
pushes towards the tree; the sun
is hot today: we'll go in the shade; a pidgeon
is strutting by the bench; a woman
eats sandwiches; some dust
blows past your feet upon the rests; you're cool
within your buttoned coat; your mind
grasps at some moment, but it's gone




2017-09-21

Sept 21st - In the horological gardens : clock tree


In the horological gardens : clock tree


Autumn

The seconds peel from branches stuck
at five-to-midnight.  The second hand
slows, frost grinding in the mechanism.
The bobble hats stamp woolly gloves.

Winter

The pendulum is stilled and frosted
the clock glass shows no leaf or flower
or time.  Nobody walks the shade
(which is everywhere).  The trees endure.

Spring

Finally.  The sun warms sap, clock oil
becomes a fluid once again.
Behind the tall door in the trunk,
the weights pull down, buds green -- tick.

Summer

As, mechanical, a bird wings in
to peck at tiny insect cogs,
the balmy time escapement sings
too fast, the hands are edging vertical.


2017-09-20

Sept 20th - On brightness boulevard...

On brightness boulevard...


On brightness boulevard the sun leaves town
precisely in alignment with
the white line on the road.
The cats have lurked
all day

beneath Ms Wendy's battered 2CV.
We drank through all the afternoon,
and we saw everything;
ignored it all.
We laughed,

our understanding small, our care careless.
The Sun swung shadows underneath
the porch and Edward swore
and fanned his face.
Darkness

is on us now and Mrs Richardson,
the old man, Wendy and her son
point telescopes at lamps
so far away:
Wendy

believes they may not now exist.  I'm tired.
I watch the old man load the car.
They all pile in.  The engine
shrugs with Gallic
aplomb,

then fires -- an air-cooled warp engine.  I run
out onto Brightness boulevard
as everyone I know,
except for Ed,
leaves town.